AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example

AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example AP Spanish Literature and Culture LITERARY MOVEMENTS Paper AP Spanish Literature and Culture LITERARY MOVEMENTS Paper what's more, women's activist writing vanguardismo cutting edge developments of artistic experimentation; incorporates the surrealist development (worried about dreams and visualizations); Pablo Neruda, Dragã ºn, Lorca teatro del absurdo with the conviction that human presence has no significance or reason, these works are deliberately absurd, demonstrating man in an unreasonable, vast world yet as yet conveying a meaningfull message; exchange incorporates clichã ©s and word games; Dragã ºn Generaciã ³n del 98 a gathering of writers, artists, writers, and thinkers dynamic in Spain at the hour of the Spanish-American War; analysis, beliefs, imagination; included Miguel de Unamuno (strict subjects), Antonio Machado (individual and all inclusive topics) costumbrismo an abstract translation of neighborhood regular day to day existence and customs (nineteenth century); sentimental enthusiasm for excessive articulation + practical, exact spotlight on a specific time and spot; went before (and prompted) both Romanticism and Realism barroco a seventeenth century social and masterful development that was the advancement of thoughts and subjects figured during the Spanish Renaissance; included culteranismo and conceptismo; Gã ³ngora and Quevedo in Spain + Sor Juana in Mexico romanticismo because of neoclassicism, this development concentrated on the magnificence of creative mind, the unpredictable idea of human soul, and the common world; Rima LIII (Bã ©cquer), En una tempestad (Heredia) Siglo de Oro period from 1942 (Christopher Columbus, end of Reconquista) to 1659 described by a prospering in Spanish expressions and writing that included romantecismo and barroco; Don Quijote, Garcilaso, Gã ³ngora, Quevedo neoclasicismo development in which journalists thought back to figures, for example, Garcilaso and Quevedo and were enlivened by old style standards; later incited a negative response from sentimentalists, who were themselves scrutinized by pragmatists